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How important is the headshot?
The headshot is your calling card. It's the way of introducing yourself either for representation by an agent or submission on a project. It needs to be taken by a professional photographer. (No, your friend can't help you out). Not only must it look like you, but also should convey an aspect of your personality: e.g.. sexy, intelligent, funny, strong, pensive, brooding, menacing, etc.
What about the 3/4 shot?
3/4 shots are specifically used to show your body - models, body builders, athletes often use 3/4 shots. Sometimes character actors will use a 3/4 shot to show a different set of criteria: e.g. tall, skinny, short, overweight, some other quality that wouldn't be captured in the headshot.
Can you get an agent being non-union?
Yes, you can get representation being non-union. There are agencies that will sign non-union talent. Remember, everybody at some point was non-union.
How do you submit to an agent?
Submit your picture and resume with a cover letter to the agent. Be sure to address it to the person in the department you're sending it to. Keep the cover letter short, and to the point. No busy agent has the time to read (or care) why you decided to become an actor.
What is the agent looking for in the submission?
Agents are usually looking to fill categories they feel weak in. If they see something unique in your headshot or on your resume they will call you for a meeting.
What should I expect from a meeting with an agent?
In the meeting, the agent will ask you questions about yourself. They're looking for personality and how you present yourself in new situations. Some agents may also have you read commercial copy.
What special opportunities are there in commercials?
Commercials are a great place to get started because there are agents who will sign actors with little or no acting credits. Sometimes agents are searching for something specific, such as a "look", "ethnicity", "age", "bilingual actor", or an actor with "special skills", e.g. sports, dance, mime, etc.
Do I need to take a commercial class?
Even actors with a lot of training will be asked to take a commercial class if one isn't on his/her resume. The techniques used for commercial auditions are very specific and therefore different than audition methods learned in other acting classes.
What should I look for in a commercial class?
You should ask the following questions when choosing a commercial class: What is the background and experience of the teacher? Are they known and referred by commercial agents? How many times does the class meet? How many students are in each class? How much does the class cost? What can I expect to get out of the class? |
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